Showing posts with label Candlelight. Show all posts
Showing posts with label Candlelight. Show all posts

Monday, July 10

Tumbling Lampwork Glass Beads to Etch Them - Part 2 - A Few Etched Sets to Share

As part of my series on tumble etching beads, this post shares the final results of the tumble sessions.

Here we go!
Each set of beads starts with a core of Effetre White opaque glass with an encasement of the transparent glass. A sprinkling of my own Pendragonfyre frit blend creates the amazing patterning of colors.

The frit beads in this set were created with the encasement layer of rare CiM Blush, a transparent pink that shifts slightly depending on your lighting.


The frit beads in this set were created with the encasement layer of rare CiM Larkspur, a transparent color that shifts between blue and lavender depending on your lighting.


The frit beads in this set were created with the encasement layer of CiM Peridot, a transparent gemstone green transparent glass.


The frit beads in this set were created with the encasement layer of Effetre Pale Purple, a transparent purple glass.


Such a difference the etching makes. 

I have checked availability of each glass. Peridot, Larkspur and Effetre Pale Purple are In Stock on Nortel Glass' online shopping cart. 
Blush is not available.
Reach out to Jean or Jennifer at Nortel to add some of these glasses to your next glass order.


#creationismessy 
#cimglass
#cimcandlelight
#cimlarkspur
#cimperidot
#effetre
#pendragonfyre 
#handmade 
#handmadeincanada 
@creationismessy 
@nortel_glassgirl


Sunday, July 9

Tumbling Lampwork Glass Beads to Etch Them - Part 1 - Sharing Information

Lampwork glass beads are beautiful pieces of art. 
One way to add more texture and interest to lampwork beads is to etch them, which means to create a matte or frosted surface on the glass. 

There are different methods of etching glass, such as using chemicals, sandblasting, or engraving. 
However, one of the easiest and safest ways to etch lampwork beads is to tumble them.

Tumbling is a process of polishing or smoothing objects by placing them in a rotating barrel with abrasive media, such as sand, grit, or ceramic pellets. 
The friction and impact of the media against the objects gradually wears away the surface, creating a smooth or shiny finish. 
Here is a photo of a recent set of my Love Sonnet beads as they emerged from the kiln. They are nice but I like the etched look for a more romantic presentation. Stay tuned below for the after photo.


If the objects are made of glass, tumbling can also create an etched effect, because the abrasive media removes the glossy layer of the glass and exposes the underlying layer, which has a different refractive index. 

This makes the glass look less transparent and more opaque, giving it a soft and velvety appearance.

To tumble etch lampwork beads, you will need a tumbler machine, which can be found online or at some craft stores. I use a Lortone brand that I purchased years ago.

You will also need some abrasive media, such as silicon carbide grit or aluminum oxide pellets. These are available in different sizes and grades, depending on how coarse or fine you want the etching to be.  The finer the silicon carbide, the smoother the finish. I recommend using a grade of 800 or 1000 for a silky texture, or a lower grade if you prefer a more rustic look. A google search for suppliers or check Ebay and Etsy for purchasing in small quantities.

You will also need some water and a small drop or two of dish soap to help lubricate the tumbling process.

The first step is to prepare your lampwork beads for tumbling. 
Make sure they are clean and dry, and remove any metal findings or wires from them. 
You can also sort your beads by size, shape, or color, if you want to have more control over the final result.  I do suggest making note of the number of beads going into the tumbler (this will make sense later)

Next, fill the tumbler barrel with your chosen media, about halfway full. Then add your beads, making sure they are not too crowded or too sparse in the barrel. You want enough space for them to move around freely, but not too much that they will bang against each other too hard. 
Finally, add enough water to cover the media and beads, and just a few drops of dish soap.

The second step is to start the tumbling process. Turn on the tumbler machine and let it run for several hours depending on how etched you want your beads to be. You can check on them periodically by stopping the machine and rinsing a few beads with water to see how they look. 
You can also adjust the amount of water or soap in the barrel if needed. 

The tumbling process will create some noise and vibration, so make sure you place the machine on a stable and secure surface, away from pets or children.

The final step is to finish your etched lampwork beads. 
Once you are satisfied with the level of etching, turn off the machine and scoop out your beads with a spoon (I keep an older spoon beside my tumbler for each etching session). Rinse your beads thoroughly with clean water and dry them with a soft cloth. 
You can also use a toothbrush or a cotton swab to remove any grit or residue from the bead holes or crevices. 

Your etched lampwork beads are now ready to be used for your projects!
Here is the tumbled bead set from earlier in the post after being completed. 

The frit beads in this set were created with a core of Effetre White with a layer of rare CiM Candlelight, a pale transparent yellow glass
A sprinkling of my own Pendragonfyre frit blend creates the amazing patterning of colors.

Such a difference the etching makes.


Tumbling is a fun and easy way to etch lampwork glass beads and give them a new look. It is useful to make note when you experiment with different media, tumbling times, and bead combinations to create different effects and styles. 

Tumbling is also a safe and eco-friendly alternative to chemical etching, which can be hazardous and harmful to the environment. 

With tumbling, you can enjoy the beauty of etched glass without any risks or worries.
If you've found this post useful or interesting, you might want to check out Laura Sparling’s blog on tumbling etching as well as her blog post on “‘Beadswax’ which is an oil and beeswax mixture that she uses to finish tumble-etched beads which gives her beads a lovely glow. 

I have checked availability of CIM Candlelight glass as In Stock on Nortel Glass' online shopping cart. Reach out to Jean or Jennifer at Nortel to add some of these glasses to your next glass order.


#creationismessy 
#cimglass
#cimcandlelight
#pendragonfyre 
#handmade 
#handmadeincanada 
@creationismessy 
@nortel_glassgirl


Saturday, May 6

New Love Sonnet Bead Sets and a Few Spacers

Just a few beads to share today that I created last weekend when I fired up my BRAND NEW kiln for the first time.

In case you didn't see my Instagram or Facebook post, I purchased a BlueBird XL kiln when I was on a road trip to Toronto last month.


I was very lucky to get this beautiful berry purple colored "cadillac of kilns" which I have named Penny The Dragon.💜



My first session at the torch flew by and below are the sets created.

Starting on a base of Effetre white encased in CiM - Creation Is Messy Candlelight, my own hand mixed Pendragonfyre Love Sonnet frit was sprinkled to create these romantic beads. 



The spacer beads are included in this set are made with pure CiM Candlelight.


Starting on a base of Effetre white encased in Effetre Amethyst, my own hand mixed Pendragonfyre Love Sonnet frit was sprinkled to create these romantic beads. 


The spacer beads are included in this set are made with pure Effetre Amethyst.



This set of frit beads combines CiM Primavera, an opaque green with Val Cox Songbird frit.


Simple round beads within this abundant set. 


Four plain spacers of Primavera complete this set.



I always include time in each session to create some simple spacer beads that are small enough for earring sets. 
I find it is great way to practice consistency and heat control making multiple beads on one mandrel.

The spacer beads below are made from CiM - Creation Is Messy glasses

Atoll Misty This glass was very popular when it was introduced as a color in the 2022 CiM palette release. It is a nice minty green misty opal.



Beeswax Misty, a soft pale opal yellow that can strike to an amber depending on the time and temperature it is worked.


From the photos below, you will note the difference in the beads color and translucency in the making of these spacers. 
I usually make 4-6 spacers on one mandrel, so the variety of the beads are a result of the warming and rewarming of each bead.



At the time of this post, Nortel has in stock:
- CiM Candlelight and Beeswax Misty. Atoll Misty appears to be SOLD Out
- Effetre White and Amethyst should be available.

#creationismessy
#cimglass
#cimcandlelight
#cimprimavera
#cimatollmisty
#cimbeeswaxmisty
#effetreamethyst
#nortel
#pendragonfyre
#handmade
#handmadeincanada
@creationismessy
@nortel_glassgirl









Monday, February 20

February Flashback - Digging into the CiM - Creation Is Messy Archives - Part 3

With the hundreds of colors that CiM - Creation Is Messy has created in their extensive palette since 2006, so many colors are small batch offerings that I know many lampwork artists cherish and save in their collections for those perfect opportunities to use them in their designs.

In this post, I am highlighting a few more of my favourite CiM Archive glasses that I have used over the years, have still a few rods in my collection and I encourage other glass artists to explore them.

Each glass is showing as currently available through Nortel Glass in Toronto, as well I am sure may be readily available online outside of Canada for USA customers.
With the USD$ dollar exchange rate, I still lean toward Nortel as my supplier of choice.

As a CiM glass tester, my tests usually pair new glass colors with silver. 
I use 99% fine silver wire, foil and silver infused glass from Double Helix.

In all my blog posts, I document each glass combination testing notes to use an archive of information that I am willing to share with fellow artists.
I have been blogging each and every bead set I have created since back in 2008 as a newbie to glass art.

Now let's get to today's beads!

This set has a base of CiM Candlelight Ltd Run, a lovely transparent yellow, with these lovely shards created subtle patterns.
Hand-blown glass shards of CiM’s Chocolate Ltd Run with silvered ivory. Chocolate is a cloudy brown transparent that is true to it's name.
 


In response to requests for streaky rods, CiM - Creation is Messy created a new limited run color named Yangtze with "a core of clear, encased in transparent yellowish green, encased in clear."
 

 
The description doesn't sound all that exciting, so I was not sure what to test with it. When this happens, it is always better to go simple - less is more. So I paired it with 99% fine silver wire.
There was just a slight reaction to the silver with small trails. There was some scumming and micro-bubbles, but I encouraged it from the glass as it gave an antiqued sea glass glow even though I left them with a shiny gloss finish.
The result is a simple yet elegant set of beads that would be awesome in a ivory bridal set of silver jewelry.

This set of beads was created on a base of CiM Ltd Run, Frangipani, very pale opal purple. Double Helix's Aurae frit was generously sprinkled and reduced the glass to a golden sheen and metallic shine!
 

CiM's Indian Summer Ltd Run is a transparent brown that strikes to a rich color. In the middle bead below I simply wrapped some 99% fine silver wire and the glass color stayed true with no adverse fuming or color change in comparison to the spacers.



Reach out to Nortel to order these glasses before they are gone.

#creationismessy
#cimglass
#cimarchive
#doublehelixglass
#nortelinstock
#pendragonfyre
@creationismessy
@nortel_glassgirl

Saturday, March 28

CiM New Colors for 2020 - Testing Roundup - Week 1


This is the first post to cover off new beads made with The folks at CiM - Creation Is Messy glass have been cooking up some amazing colors for 2020. 
They have changed some of their production working habits to produce limited edition colors in small batches to accomodate the current global market.
Using limited run batches, the goal is to work closer with the lampworking community to determine what colors are the best to reproduce in future.
As an artist, I am always chasing that new color that is unique to the glass palette and having the opportunity to test colors first is something I look forward to each year.
This year, the colors did not disappoint and they have brought fresh color to my studio during these uncertain times of Covid-19.
For those that follow my Facebook, you are aware that my long awaited knee replacement surgery has been cancelled due to hospital operation room closures. Let's hope and pray that we "flatten the curve" and life gets back to normal. Until then, I offer you eye candy with the new colors over the next few weeks. There are almost 50 new colors, so let's get started!

CiM’s new Blueberry Muffin Ltd Run is a very dense opal royal blue. Imagine blueberry jam. 
The glass is so dense, that focal beads below are made with a clear glass core with Blueberry Muffin encasement. This is awesome as the glass goes along way rather than waste using as solid beads only. The focal beads have a sprinkling of Val Cox Silver Lake frit. This is a dense white blend which is quite rare to find now and the mix brought out shade from light blue to dark midnight blue. 



I created some handblown glass shards using CiM’s new Blueberry Muffin with Val Cox Silver Lake frit.
The base of these beads is
CiM’s new London Fog Ltd Run

The bead with the 99% fine silver wrap has a layer of Silver Lake frit under the shard and it didn’t react as much as the frit did on the darker glass. Spacer beads are pure London Fog.


This are classic beads! 
CiM’s new London Fog Ltd Run with gentle sprinkling of Val Cox Trickster frit. 
Beautiful for spring. There is a gentle pink blush to these beads from the frit. 
Spacers are London Fog.


Now this is a fun glass! 
CiM Circus Tent Ltd Run with it’s color streamers suspended within the clear glass. I capped the ends with Double Helix Aurae silver glass. 
So happy that the CiM glass had no reaction against the silver glass so that I can be confident to try more bead designs without worry.



Study of new CiM color for spring - CiM Peony Ltd Run, an opal pink that stays translucent after annealing.
First photo left to right: Shards of Double Helix OX459, Peony with Val Cox Abigail frit and fine silver wire and Peony with Val Cox Trickster frit. 
The silver glass fumed the Peony pink with a golden peachy glow.




Spacers are showing in 2nd photo.

Hand-blown glass shards of CiM’s new Chocolate Ltd Run with silvered ivory. Chocolate is a cloudy brown transparent that is true to it's name.


This set has a base of CiM Candlelight Ltd Run, a lovely transparent yellow, with these lovely shards created subtle patterns. 





































This set of beads was created with a combination of two CiM new 2020 colors - Chocolate Ltd Run and Lunar Ltd Run, a blue opal. 
These colors work well with Double Helix Aurae Light silver glass droplets producing a glittering result.






This set of beads use the new CiM pink called Ballerina Ltd Run. 
It is a soft pink that I had a bit of a challenge in getting anything but a transparent.
The single bead is a base of Ballerina with my hand-blended Pendragonfyre frit. 
Apart from the spacers, the remaining beads are Ballerina over a core of CiM Peace with more of my frit. This would be lovely for a summer wedding bracelet.



Combining CiM’s Adriatic Ltd Run, a bright blue misty opal and Ra Ltd Run, an opaque silver laden yellow, created these beauties! 
A twisted stream of silvered ivory fumes a golden hue over Ra but kept the misty blue hues as rich as the sea!


CiM’s new fresh green, Avonlea Ltd Run absolutely sings when combined with Double Helix Melia silver glass. This set of beads shows surface and encased decorations. 
Spacers are solid Avonlea.







Last but certainly not least is result of cleaning out a drawer in my studio. A large sheet of pure copper foil that I purchased over 10 years ago caught my eye along with some scrapbooking cutout stamps. 
CiM’s new Summer Haze Ltd Run is a yellow misty opal. 
Experimenting using it as a base and encasing copper foil with Double Helix clear glasses Aether and Zephyr.  
I add a few drops of silver glass for a bit of added glitter.




So that is the Roundup of the first set of test results. Check back next week for another post of glassy goodness!
D.

#creationismessy
#cimtesting
#cimnewcolors
#cimavonlea
#cimblueberrymuffin
#cimlondonfog
#cimcircustent
#cimballerina
#cimpeony
#cimcandlelight
#cimlunar
#cimchocolate
#cimra
#cimadriatic
#cimsummerhaze
#copperfoil
#valcoxfrit
#nortel
#doublehelixglass
@creationismessy